( Villas and Penthouses )
Designed with a reverence for Oriental tradition and an unwavering commitment to seclusion, Hangzhou Majestic Mansion at Xiang Lake represents a rare opportunity to inhabit a living work of art amid one of China's most storied landscapes. Developed by Desheng Real Estate — creators of the iconic luxury landmark Ginkgo Bay — 31 exquisitely crafted courtyard residences rise on the hillside overlooking the heart of Xiang Lake. Molteni&C contributed Hi-Line 6 kitchen by Ferruccio Laviani and loose furnishings to this project.
Just 100 meters from the lakeshore, the estate opens directly into the core area of Xianghu Phase II, where greenways, docks, and teahouses unfold in seamless connection. Nestled within a lush valley, a gentle mountain stream winds down to form a central lake within the project — an auspicious site where mountains stand guard and waters embrace in timeless natural harmony.
Inwardly, every room gazes through floor-to-ceiling windows onto a framed garden view; outwardly, vistas open to front courtyards, sweeping mountain scenery, or tranquil koi ponds. The Hi-Line 6 kitchen by Ferruccio Laviani offers a balanced composition for the heart of the home.
WOODY STOOL FRANCESCO MEDA
In the bedrooms, the Porta Volta armchair by Herzog & de Meuron and the D.156.3 armchair by Gio Ponti infuse the spaces with the elegance of Italian craftsmanship.
PORTA VOLTA ARMCHAIR HERZOG & DE MEURON
D.156.3 ARMCHAIR GIO PONTI
The MHC.3 Miss chair by Tobia Scarpa is paired with the elongated dining table for a refined finish in the dining area that echoes the hospitable spirit of the residence.
MHC.3 MISS CHAIR TOBIA SCARPA
( Featured Designs )
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Gio Ponti’s design for D.156.3 captures the essence of Italian modernism. Created in 1956 for the American company Altamira, founded by the nephew of De Cuevas, this piece was proudly showcased in New York alongside works by celebrated designers such as Ico Parisi and Franco Albini, reflecting the vibrant dialogue between Italian craftsmanship and international modernity at the 10th Milan Triennale.
The Porta Volta Chair by Herzog & de Meuron is an immediately striking piece. The design’s defining element comes from the solid wood back which is curved in a U-shape, creating an inviting and enveloping feel. The floating backrest extends further to create armrests. If desired, the backrest can be bisected by a customizable cushion. Three U-frames with a unique curved “finger joint” lend the piece a detailed softness. The four legs and back are angled slightly outwards which provides a stable and comfortable repose.
The Miss chair by Afra and Tobia Scarpa embodies a delicate balance between historic architecture and innovation. Its fluid, linear form creates a soft rhythm that guides the eye across the chair, while every curve and joint reflects a careful dialogue between craftsmanship and comfort. Originally conceived in 1986, Miss has been reinterpreted by Molteni&C to honor its heritage while remaining strikingly modern.
The Woody stool by Francesco Meda, extends the design language of the Woody seating collection into a refined stool. Its name nods to both continuity and evolution — a piece that builds upon the collection’s simplicity while introducing new proportions suited for elevated seating. With its smooth lines and natural warmth, the stool invites moments of ease, whether gathered around a kitchen island or a lively bar.