HANGZHOU MAJESTIC MANSION AT XIANG LAKE, CHINA

Gio Ponti’s design for D.156.3 captures the essence of Italian modernism. Created in 1956 for the American company Altamira, founded by the nephew of De Cuevas, this piece was proudly showcased in New York alongside works by celebrated designers such as Ico Parisi and Franco Albini, reflecting the vibrant dialogue between Italian craftsmanship and international modernity at the 10th Milan Triennale.

The Porta Volta Chair by Herzog & de Meuron is an immediately striking piece. The design’s defining element comes from the solid wood back which is curved in a U-shape, creating an inviting and enveloping feel. The floating backrest extends further to create armrests. If desired, the backrest can be bisected by a customizable cushion. Three U-frames with a unique curved “finger joint” lend the piece a detailed softness. The four legs and back are angled slightly outwards which provides a stable and comfortable repose.

The Miss chair by Afra and Tobia Scarpa embodies a delicate balance between historic architecture and innovation. Its fluid, linear form creates a soft rhythm that guides the eye across the chair, while every curve and joint reflects a careful dialogue between craftsmanship and comfort. Originally conceived in 1986, Miss has been reinterpreted by Molteni&C to honor its heritage while remaining strikingly modern.

The Woody stool by Francesco Meda, extends the design language of the Woody seating collection into a refined stool. Its name nods to both continuity and evolution — a piece that builds upon the collection’s simplicity while introducing new proportions suited for elevated seating. With its smooth lines and natural warmth, the stool invites moments of ease, whether gathered around a kitchen island or a lively bar.

The Hi-Line 6 by Ferruccio Laviani transforms the kitchen into an architectural living space bringing geometry, precision, and warmth together in perfect harmony. Hi-Line 6 is an enduring example of how design excellence transforms the everyday into the extraordinary.

Gio Ponti’s design for D.156.3 captures the essence of Italian modernism. Created in 1956 for the American company Altamira, founded by the nephew of De Cuevas, this piece was proudly showcased in New York alongside works by celebrated designers such as Ico Parisi and Franco Albini, reflecting the vibrant dialogue between Italian craftsmanship and international modernity at the 10th Milan Triennale.

The Porta Volta Chair by Herzog & de Meuron is an immediately striking piece. The design’s defining element comes from the solid wood back which is curved in a U-shape, creating an inviting and enveloping feel. The floating backrest extends further to create armrests. If desired, the backrest can be bisected by a customizable cushion. Three U-frames with a unique curved “finger joint” lend the piece a detailed softness. The four legs and back are angled slightly outwards which provides a stable and comfortable repose.

The Miss chair by Afra and Tobia Scarpa embodies a delicate balance between historic architecture and innovation. Its fluid, linear form creates a soft rhythm that guides the eye across the chair, while every curve and joint reflects a careful dialogue between craftsmanship and comfort. Originally conceived in 1986, Miss has been reinterpreted by Molteni&C to honor its heritage while remaining strikingly modern.

The Woody stool by Francesco Meda, extends the design language of the Woody seating collection into a refined stool. Its name nods to both continuity and evolution — a piece that builds upon the collection’s simplicity while introducing new proportions suited for elevated seating. With its smooth lines and natural warmth, the stool invites moments of ease, whether gathered around a kitchen island or a lively bar.

The Hi-Line 6 by Ferruccio Laviani transforms the kitchen into an architectural living space bringing geometry, precision, and warmth together in perfect harmony. Hi-Line 6 is an enduring example of how design excellence transforms the everyday into the extraordinary.